Tag Archives: landscape

Out on the Farm

On the last day of October 2015, I walked along the river edge (part of Meadowbank Lake) and mostly on the property of Curringa Farm.  I am most appreciative for Tim and Jane Parsons allowing me to walk there.

Their Farm is home to thousands of sheep.

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While I walked along approximately 4km of the river’s edge towards where the Clyde River entering the Lake, my friend Alex waited. As she sat in the car reading newspapers and drinking tea from her thermos, the wonderful view down to the ‘river’ as shown below was hers to savour.  In fact this waterway is one part of the very long Meadowbank Lake through which the Derwent River flows. One of Alex’s photos is shown below.

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While I walked, the Lake was busy with jet boats and water skiers. Watch this video.

As usual, the water and the river’s edge landscape enthralled me.

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When I walk alone I hear and see things which are not usually available if I walk with another. That is, the talking or the crashing through the bush disturbs birds and animals and they disappear.  During this walk, when a Rufus wallaby was suddenly standing before me a few metres away, we were both surprised. The bush was so quiet and I must have been making foot noises which sounded like normal bush rustlings so that s/he wasn’t immediately aware of my presence.  Eventually s/he hopped off to watch me from some bushes in the distance. I hadn’t moved a muscle since we first eyeballed each other.  But after its bounce away, my eyes swivelled to focus on a movement on the hill above. Down hopped a small wallaby and on the crest his/her mother appeared.  The following video shows them almost camouflaged in the environment. I feel sure you will not find the smaller baby wallaby until it moves again.

Watch this video.

Through the undergrowth, many well ‘walked’ tiny tracks were visible but on closer inspection they seemed to be wallaby highways.

20151031_114746.jpg Clever animals – they had been able to gradually force up fences in order to continue moving through paddocks. If you study the photograph below, on the lower right hand side you can see the wire mesh fence has been raised by rounding it up from the ground.

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Substantial sandstone/mudstone rocks intruded at the water’s edge and as cliffs formed hillsides and cave-type overhangs.  I wonder if the original inhabitants of the land rested in some of these places.

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The next selection of photos shows a couple of examples of the profusion of bush flowers seen during this walk: I cannot identify the first but the second is a tiny native orchid.

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Generally the bush was extremely dry, so much so that the lichen growing on rocks was shrivelled and seemingly dead.

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Parts of the Derwent Valley have received so little rain over winter that there is insufficient vegetation coverage for the cattle and sheep to eat in the coming months.  Apparently many farmers will be selling their sheep soon before the animals lose their good condition.  It is so challenging to work on the land.  It will be so challenging for city dwellers wanting to eat lamb in a few months’ time – a few gold ingots might be needed to make a purchase.

Nevertheless, it is a beautiful part of the world.

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Heading westwards

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Back on Glenora Road, I loved the landscape in every direction. I am curious- have any city people slotted a green landscape view as background on their computers? When I open my computer and see green vistas it lifts my spirits particularly when I look out of my house window at bricks and mortar everywhere.

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Before long I was passing the expanses of Kinvarra Estate wines. My photos are quite tame compared to those taken by Alphaluma and presented on their website. His are sweeping and dramatic.

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A kilometre or so later I was surprised to see a lycra-clad man walking uphill around a corner and pushing his bicycle towards me.

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He looked exhausted and so I called out a friendly ‘hello’ and asked him where he had come from so early in the day.  ‘Bushy Park’, he replied.  Then he explained that for the past 12 days he had been on the comparatively new Tasmania Trail which extends from the north-west coast to the south-east margins of Tasmania. In addition, he offered that 13 days ago he hadn’t ridden a bike for years, had bought the new bike that day, then started out immediately. Now he was eager to get home and was headed for Hobart where he would finish his trek and family would pick him up.  This man, who looked like someone’s father, didn’t have the time or strength to continue to Dover much further south but I congratulated him on his achievement.  Whatever means of transport you take through central Tasmania, the challenges are great and he had overcome much to be close to his goal.  So I thought about my sore feet after only one day’s walking, and worked hard to dismiss any negative thoughts.

The Derwent River at night

Tasmania’s bush, its coast and urban areas offer a photographer’s paradise at all times of day and night across the four seasons.

This Amazing Planet  is one of many blogs that show spectacular photographs of Tasmania’s flora, fauna and landscape. Go to Nightscape-Hobart for a stunning visual treat. Enjoy looking at part of the glorious Greater Hobart Area, at night, photographed from on top of Mount Wellington. Between the two sides of the city, the rich blue Derwent River passes on its way to Stormy Bay and then the sea. The brightly lit Tasman Bridge can be seen to join the two shore lines.

Piguenit – artist extraordinaire in southern Tasmania

The 19th century lady who wrote her story of a walk from Trial Harbour to Ouse (refer https://walkingthederwent.com/2015/06/20/a-story-of-a-walk-in-19th-century-tasmania/) mentioned Tasmanian artist William Charles Piguenit in her record of the events.

‘… had our first near view of the various peaks of the West Coast Range. From here we kept on rising till we reached the Government hut, 1,500 ft above and 15 miles from Strahan.  Here the first of a series of magnificent views met our eyes; beneath us lay a deep valley, forest clad for miles, and beyond, stretching as far away as the eye could reach, lay the range, its rugged peaks standing out sharply against the sky.

How it makes one long for the brush of a ready painter, to be able to place on canvas at least something to keep one’s mind fresh with the remembrance of all this beauty. Mr Piguenit is, I believe, the only artist who has devoted his time and labour to this district, and the results of his work are to be seen in the pictures now hanging in the Art Gallery of the Hobart Museum, and certainly the next best thing to visiting the West Coast is to see Mr Piguenit’s pictures of different scenes in that region.’

The collection of the Tasmanian Museum and Art Gallery (TMAG) contains a substantial number of his oil paintings.  Years ago I was employed by TMAG as an attendant and stationed in the upstairs ‘colonial’ gallery where the 19th century paintings were hung adjacent to marble sculptures and rare examples of early Tasmanian wood furniture. Back then I was a student of art history, and the establishment deemed me to be the expert amongst their collection of gallery attendants. They felt sure I would be able to help any visitor with enquiries about the collection on show.  One whole end of that 19th century gallery space was devoted to the work of Piguenit.  With much time on my hands to study each work of art, I fell in love with his dramatic descriptions of remote Tasmanian wilderness. But most surprising was that many of the very large oils, surrounded by beautiful carved frames, were compositions of the landscape in many gradations of grey when Piguenit had only chosen to use black and white paint.  Gloriously glossy. Unexpectedly stunning.  Tasmania’s inland environment had never been seen by most people (and still hasn’t been).

It was a surprise to me that I can only find online reproductions of these great paintings in a TMAG published catalogue raisonne of the work of William Charles Piguenit (http://www.tmag.tas.gov.au/__data/assets/pdf_file/0017/73142/piguenit_catalogue.pdf). Unfortunately, the document is incomplete and the images are very poorly reproduced – this booklet does the artist a great disservice. When faced with the paintings, the oils are truly majestic and have a similar power to mountainous work by artists such as Eugen von Guerard, Casper David Friedrich, and those from the Hudson River School such as Frederick Edwin Church.

The collection of the Art Gallery of New South Wales in Sydney holds some of his work including the following paintings (in coloured oils) which show aspects of Lake St Clair (the source of the Derwent River and the goal of my walk).

Mount Ida, Lake St Clair, Tasmania c1881

AGNSW Mount Ida Lake St Clair Tasmaniac1881

Mount Olympus, Lake St Clair, Tasmania, the source of the Derwent 1875

AGNSW Mount Olympus Lake St Clair Tasmania the source of the Derwent 1875

Video stories and the Derwent River

Last week I bussed 20 odd kilometres down to Kingston and participated in a workshop, organised by ABC Open (go to https://open.abc.net.au for written and video stories from around Australia), about making video stories with tablets and IPads. Since then, using my Samsung tablet, I have taken a series of video shots beside one section of the Derwent River. To tell a story, different video shots are needed for linking together. At the end of this week I will return for a second workshop to help me edit different shots together into a coherent story.

I would like to share some of what I have learnt so far.

Firstly, we should always make videos using the ‘landscape’ rather than ‘portrait’ orientation. Once I was alerted to the fact that the landscape orientation typifies movie screens, televisions and computer monitors, I understood this was the preferred way for our brains to operate (our eyes ‘sweep horizontally across the landscape’ for survival more often than up and down).  This morning I looked at an online news story which included a short video presumably taken on a smart phone by a public bystander to the event. The film was oriented in the vertical portrait direction so that when screened on my computer monitor, two lumps of black either side of the tall narrow image made it difficult to ‘read’.  So I have learnt that lesson.

Other learnings included: the idea that I should not move the tablet to record the video, rather I should swivel my body from the waist. Doing so creates less shudder movement resulting in clearer videos. I should never use a zoom function when it is an option on a device, rather I should take a series of sequence shots then edit them together.  Not everything has to be in focus if a story is being narrated.  Aim to record a series of peak moments in order to compress time. Beware of recording with the device directly face down because devices can revert to the portrait orientation once in the position of being parallel to the ground – therefore, I must remember to keep an angle on my tablet in such a situation.

We were informed that the journalism standard is a 5 shot sequence where each video shot is taken from a different angle or distance.  Now I watch news broadcasts differently and can analyse the variety of shots. We were recommended to make each shot about 8-15 seconds in length to provide sufficient information for editing. In addition, we were counselled to be patient as we record, in case there is an unexpected (and interesting) change in what we are recording.

At the end of the workshop’s theory session, including watching a number of good and bad videos available on the internet, I started to plan my story.

I was urged to create a story associated with my project to walk along the Derwent River and, while this idea sounds like it should be easy for me to develop, it has not been.  In fact, I have found it quite difficult to determine a story line, create a story board of the shots which will be woven together and then get the best mini videos to demonstrate each part of the story.  When I recognised the hundreds of stories associated with my walks, I realised that it would not matter on which story I worked, all I needed to do was make any choice and then get on with it.

For the past couple of days, I have made a series of brief video shots involving the Tasman Bridge which spans the Derwent River. On my way home, I recorded the following 9 seconds of traffic streaming along and over the Bridge. This video doesn’t fit with my story so I have inserted it unedited.  The video shows traffic on the Tasman Bridge with Mount Wellington in the background, viewed from the Rose Bay High School overpass.    See the video at https://vimeo.com/121886583

I am now ready for the workshop on editing to create a visual story.