Tag Archives: Berriedale

9th Stage of walk along Derwent River completed yesterday, Tuesday 25 November

I caught two buses from my home in Bellerive on the eastern shore, via the Elizabeth St CBD Hobart and the Glenorchy City bus malls, to reach Granton on the western shore of the Derwent River in the northern suburbs of the City of Glenorchy in the Greater Hobart Area.

At 8.26am I stepped off the Metro number X1 bus at stop 47 outside the York Hotel in Granton South and, with excitement about what the day might bring, I looked around and admired the view across the River to the suburb of Bridgewater before starting the tramp south.

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No footpaths or walk ways had been laid for pedestrians and so vigilance was required against the traffic on the Main Road. Occasionally a few metres of concrete or bitumen were laid for a new subdivision but generally a track for smooth safe walking was not on offer.

The weather started sunny but during the afternoon rain passed intermittently. In the photo below you can see the grey background blurred by rain, but meanwhile three pelicans were enjoying themselves on Lowestoft Bay.

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Relentless buffeting wind was the main feature all day. As a result, I couldn’t keep my sun hat attached to my head. Needless to say, I returned home with a blasted red face.  But happy from the pleasure of walking, discovery and the fresh air. Being a tourist in my home town is a revelation and a joy.

I walked southwards from Granton South to MONA (the world famous Museum of New and Old Art) at Berriedale and passed through the suburbs of Granton South, Austins Ferry, Claremont and half of Berriedale.

I experienced Goulds Lagoon, Austins Ferry Bay, Rusts Bay, Beedhams Bay, Bilton Bay, Dogshear Point, Windermere Bay, Knights Point, Windermere Beach, Connewarre Bay, McCarthy’s Point, Lowestoft Bay, and Cameron Bay. I plodded around bays and a golf course (I gained special permission to walk this private property but I would NOT recommend anyone else try it – see later postings), had a stopover at Cadbury’s, and hid from the rain in gazebos and art works. All up, I probably walked 18 kms.

Yesterday I covered 9 ¼ km of the River’s length on the western shore. This adds to my previous tally of 3/4km on the western shore making a total of 10kms covered as I trek southwards from the Bridgewater Bridge to the mouth of the Derwent on the western shore.

Specific details of the different legs of this 9th stage walk will be written up and posted in the coming days.

My favourite photo of the day was taken near the end of my walk, when I sat at the point where the southern end of Cameron Bay met the Derwent River (with MONA just over the hill). The water had been frothed by wind and I liked the lacy remnants floating by.  The intense colours are the result of the rich light quality caused by the heavy clouds overhead.

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MONA is a key destination on the edge of the Derwent river

I am excited that today I will be travelling by a series of local Metro buses to MONA (our wonderful comparatively new, Museum of Old and New Art – which incidentally also houses ancient Egyptian art). The award winning architectural edifice sits on the banks of the Derwent river in Hobart’s northern suburb, Berriedale.  In the future, one of the walking stages will include passing by MONA.

Today, however, the only walking to be done involves getting to bus stops, and then walking up the driveway past Alcorso’s old house and the green leafed rows of grapevines to the new museum. Inside a treat is waiting for me: Synaesthesia. This is where a select few visitors will be asked to submerge themselves in a ‘reverberating, subterranean private playground’. Presented by MONA and the Tasmanian Symphony Orchestra, Synaesthesia will create an immersive experience for its patrons with musicians spread out across the entirety of the museum.  This is edgy stuff and having attended one day of the inaugural event last year, I can’t be sure what lies ahead – and therein lies the attraction.  I do know the Tasmanian Symphony Orchestra chorus will be giving me a new experience when they sing in total darkness while listeners are contained in an unlit room: Black Bach.