Tag Archives: dance

Crossing the plain

Before reaching the plain, I stepped across a couple of tiny rivulets the waters of which were heading to Lake King William. The map indicated I should expect a number of these. None impacted on the ease of the walk. 20160103_075628.jpg

After walking approximately two thirds of the length of Lake King William from the south northwards, the track ended in a mire of deep dry criss-crossing ruts a few hundred metres inland. Obviously when the land was wet, vehicles had tried to continue onto the plain using bits of driftwood to give purchase – but the ruts soon stopped so I knew these man-made beasts had retreated, albeit with difficulty. My photo below, with Mount Charles looking down, does not adequately present the depth or the complexity of the intrusion of vehicles.

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In a recent posting I added in a link to Tassie Rambler’s blog . I suggest you revisit that site to look at the photographs showing what the area looks like when wet. Look for Mount Charles in the photos and then, in the photos that follow, you can see the wet plain that the Tassie Rambler experienced. I am immensely grateful for the dryness I found.

Mount Charles looked down on the plain which stretched wide and extended perhaps a kilometre inland from the Lake.  I knew I needed to aim at the pointed hill (see photo below) in the distance and be prepared to walk around it.

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A snaking crevasse meandered through this seeming flatness. My map named Bethune Creek as the main watercourse in the area so I knew I needed to make a water crossing at some stage.  My passage point was a log resting on both sides of the land. Crossing Bethune Creek was easy.

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The ground either side of the Creek and presumably across the plain was not wet, nevertheless it was springy under foot and I bounced as I walked.

Acres and acres of this ‘ground’ extended in all directions and a decision was required. Should I walk beside Bethune Creek until I was much closer to Lake King William and then try and get through the bush, find a track and continue on solid ground? Alternatively, because I could see the power lines in a row parallel to the plain, I wondered whether I should walk through the bush towards them as soon as I could see an easy route.  From where I stood it was not clear that accessing the power line area would be easy or even possible if I proceeded closer to the Lake so I decided to make a path to the power lines through the band of small bushes and undergrowth which seemed to be the narrowest.  It didn’t look difficult.

This was where the fun started.

Over the years, bushwalkers have groaned at the memory of experiences crossing button grass plains. Until this walk, I had no experience of walking through these plants.  Now I understand bushwalkers’ groans. When you see the images below of the button grass it appears not to present difficulties for walking – but appearances deceive.

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Despite the fact I only needed to cover about 100 metres of these beautiful looking plants, it was one of the most exhausting and frustrating processes I have ever endured. However, even as I tried to negotiate the distance, I could see the funny side if someone else had been watching my antics and halting progress.

Each button grass plant has a thick roughly circular base and then sprouts long arms some of which end with a spherical seed case, the button. Around and between each plant run channels which, in wetter times, would be a muddy, marshy, boot-removing quagmire.  Thankfully, these channels were bone dry when I made the crossing.  The channels were the width of one of my feet so on occasion I tried to walk in the channels. The channels are deep so that the top of the surrounding button grass plants were sometimes around my armpit height. This meant seeing the best forward path was not always possible. After making a few steps around a few plants, I would think I had found a way to continue reasonably comfortably, albeit not in a straight line to my destination. Then suddenly a mesh of grasses from a number of close growing plants would be so thick that I could not force my way through nor step over.  Then I would hump myself up to balance in the middle of a grass plant, my backpack changing my centre of gravity.  The irregularity of the height and thickness of the plants required constant rebalancing to stay upright. And I didn’t stay upright. I couldn’t.  So I would fall onto my back perhaps across a plant or two or perhaps into or straddling a channel. I lay there, rather like a beetle with legs and arms flailing in the air where turning over or getting up seems impossible. Then I would unhitch my back pack, firm my footing in a channel, load my backpack on, and start again. How many times did this happen? I cannot say.  But the landings were always soft and not jarring. These were gentle falls backwards offering marvellous sky views!

After much time – was it an hour or more? – the vegetation changed to a combination of few button grass plants, a nice little short spiky leaved plant (mind over matter was required to proceed through this), and a deeply spongy moss.

In the photo below, across the low level growth, the taller spiky plant can be seen left of centre, and the pale green plant in the foreground is the moss.  Again this photo shows a landscape that looks easy to walk through.  I promise you that looks deceive greatly. The ground beneath the plants was uneven, and some of the plants were deeply compressible by different degrees.

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I do not think the soft mossy plant, which slowed my progress considerably, was Sphagnum Moss one of Tasmania’s endemic species; however I am unable to identify it. Looking firm, I would step onto a smooth looking mass and that foot might sink a few inches, twelve inches, or I might drop down to knee height in the mass. Meanwhile the other foot and leg stayed elsewhere up someplace on another firmer plant. Unused muscles got a stretch. Keeping my balance was crucial because falling on the spiky plants held no allure.

A couple of years ago I attended classes to learn to dance the Argentine Tango in which balance is critical to success. During the dance, the man leads and the woman may need to stay balanced mid move on one foot for an unknown time. This means every time I made a step I needed to be prepared to stop, not sway, and keep centred. The dance experience proved useful in Tasmania’s wilderness as I negotiated a path through these plants. Speed was never an option.

I am not proud to say that I disturbed the landscape on this section of the walk.  However, the extraordinary resilience of the plants on which I stepped amazed me. They bounced back to their original shape immediately. When I stepped off the button grass plants and the moss, I could not see any mark of where I had been, although I recognise that at a micro level (perhaps even closer inspection) my steps would be in evidence on these plants.

Eventually I reached the power line clearway. It wasn’t clear. Dreams of easy walking remained dreams.

Theatre Royal, Hobart – proximity to the Derwent River

The Theatre Royal located on Campbell St Hobart was built in 1834 and is the earliest theatre built in Australia that is still fully operational today – each week the Theatre Royal stages various events: theatre, dance, musicals, opera, eisteddfods, music concerts or comedy. After a disastrous fire in 1984, the building was restored to its former glory and its delightful small but grand interior is now well worth a visit.  Guided tours are on offer during the day.

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But what does the Theatre Royal have to do with the Derwent River you may wonder.

Firstly, it is located only a stone’s throw from the Hobart Rivulet that flows into the Derwent River. The Hobart Rivulet was the source of fresh water to the first settlers in Sullivans Cove (a bay in the Derwent River) in the years after they established the colony in 1804. Picking up the crystal clear waters from flows on Mount Wellington, the Hobart Rivulet wound its way through the early ‘Hobarton’ and these days it continues to flow under much of the current city of Hobart.

Secondly, the early shores of the Derwent River were further inland in the early 19th century than today. Considerable land fill has been added over the past two centuries.  When the Theatre Royal was built, the Derwent River was a little closer than today.

I have entertained myself with searches for old maps of Hobart so that I could understand where the Theatre Royal was located in relation to the original foreshore.

The image of the foreshore at Sullivans Cove below was drawn in 1804 (this was the year of first settlement here). Hunter Island was on its own before it was connected to the mainland by a causeway. This island was located not far from where Campbell St (the street on which the Theatre Royal is built) was established much later. The drawing shows the extensive forests which were removed over subsequent years to make way for the streets, houses and public buildings (image from http://www.tasfamily.net.au/~schafferi/images/Ocean&LNHunterIs1804img141.jpg

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The site http://www.tasfamily.net.au/~schafferi/index.php?file=kop15.php offers the opinion ‘It is hard to imagine what Hobart Town would have been like when Lt. Gov. Collins arrived in 1804.  The rivulet ran free, (except when it rained heavily sending logs that blocked the rivulet, sending water spilling across its banks) large gum trees stood on both sides of the rivulet, some of which had to be cut down to make room for the new settlement.‘  The drawing below, made by George P Harris in 1805 or 1806, seems to look across Hobarton from what today is referred to as the Domain.  I think Harris employed a great deal of creativity when making the picture because the Mount Nelson Signal Station looms large on the distant hill yet it could not realistically have been that height.  

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Below, the 1811 town layout has an overlay of our contemporary streetscape (from http://www.abc.net.au/news/2015-02-24/footsteps-towards-freedom-art-project-begins/6251596).  If you can locate the intersection of Campbell St and Collins St, then you can appreciated that the yet to be built Theatre Royal will be sited a few metres along Campbell St (on the block at the top side of the letter E of Street). You can appreciate how close this is to the Rivulet and to the Derwent River.

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George Evans lithograph of 1819 below shows how little progress had been made in terms of new buildings and street construction 15 years after settlement ( http://www.abc.net.au/news/2014-08-22/1819-slnsw-south-west-view-of-hobart-town-1819-george-william-e/5689410)

George Evans South west view of Hobart town

By 1832 significant developments had been made to Hobarton .  The map below (from http://www.auspostalhistory.com/articles/180.php) was made two years before the Theatre Royal was built.  Can you locate Campbell St?  Once found, can you see the thick black line that crosses it – that line is the Hobart Rivulet? The future location for the new theatre was a couple of house blocks away from the intersection between the street and the rivulet.  Looking at the shoreline with the Derwent River, already it is clear land has been reclaimed along the edge; the shape is manmade and the landscape no longer flows naturally.

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On the Proeschel map below (with the hand writing at the top of the map indicating 1858), locate the intersection of Collins and Campbell Streets.  Nearby, the Theatre Royal is listed as Public Edifice number 23 (from http://catalogue.statelibrary.tas.gov.au/item/?id=879658)

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In Jarman’s map of Hobart Town (http://catalogue.statelibrary.tas.gov.au/item/?id=573294 indicates the date for this is 1858, although if the Proeschel map’s date is correct then the differences are too marked for this to be correct. More research required.), the end of Collins St has been modified so that two streets are located one either side of the Rivulet (black rectangle above Collins St is the Theatre Royal).

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A woodcut map of 1879 by A C Cooke (from http://catalogue.statelibrary.tas.gov.au/item/?id=94421) gives a bird’s eye view of Hobart Town. On the lower right, the large watery dock can be seen intruding into the townscape. At the top end of this water is the large City Hall with Campbell St on its right hand side. Immediately behind the City Hall is Collins St.  Therefore the Theatre Royal is located on the right hand side of Campbell St a little above Collins St.

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The area around the Hobart Rivulet routinely flooded the streets after heavy rains in the 19th and early 20th centuries (substantial new drainage systems now prevents such occurrences). The photo below (from http://www.linc.tas.gov.au/tasmaniasheritage/browse/exhibitions/hobartrivulet/diversions-and-floods/image-3) was taken after a flood in the 1920s. We are looking back towards the centre of Hobart Town along the Hobart Rivulet. The large curved roof at the right of the photograph is the top of the Theatre Royal and, therefore, the first bridge in the distance which crosses over the Rivulet will distinguish Campbell Street.

Floods-NS869-1-497 1920s rivulet end of Collins

The photo below (http://www.linc.tas.gov.au/tasmaniasheritage/browse/exhibitions/hobartrivulet/diversions-and-floods/image-2) was taken during flooding in the 1930s.  The building on the right hand side is the City Hall which still functions as such today.  The road to the right of the flooding Rivulet is Collins St and people are standing on Campbell St above the Rivulet.  Therefore, the Theatre Royal is just out of shot to the left from where people are standing watching the torrent.

flood1 1930s flooding rivulet near theatre royal

Leo Schofield’s short-lived but internationally renowned Hobart Baroque festival lit up the Theatre Royal with spectacular performances.

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Our Theatre Royal was located for easy public access 180 odd years ago, and the site continues to attract crowds easily. A new performing arts centre will be built next door over the next couple of years.  The Tasmanian Art School is located close by in Hunter St adjacent to the wharves and jetties jutting into the Derwent River. It fits with history to develop an artistic precinct near the water.